Upcoming Shows

All shows at The Soiled Dove Underground are 21+ unless otherwise noted. Ticket sales are final. No refunds, returns or exchanges.

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Wed, July 23

107X Denver's Rock Alternative Presents An Evening With The Fixx - By Request Tour

Genre: Rock
Doors: 7:00PM
Show: 8:00PM

THE FIXX Beautiful Friction Not sixty seconds into Beautiful Friction and it is clear; the haunting guitar of Jamie West-Oram, expressive synth of Rupert Greenall, pounding bass of Dan K. Brown, steady beat of Adam Woods and unforgettable vocals of Cy Curnin add up to the undeniable sound that could only be The Fixx. Apart, you couldn’t refute their talent, yet it’s together that they shine. Together, The Fixx has an incredibly strong voice, strong legacy and strong future. Beautiful Friction, the band’s tenth album studio album, finds The Fixx sharper than ever. Never at a loss for what to say, Cy Curnin and company have the same thought-provoking intensity fueling their lyrics and performances as they ever have. Fired up and as hopeful as ever, the band continues to take us on a journey which started in 1982 with the release of Shuttered Room. Says Curnin, “There’s a theme that traces through The Fixx. Our catalogue is connected, our viewpoint as a collective has always been socially driven. With the Internet, things sped up, and we were able to get feedback quicker and became closer with our fan base. We’ve been so thankful to hear from people who let us know our music made a difference in their life. It made us realize we had a sense of responsibility to our audience, that our work as a band was unfinished.” After seminal hits such as “One Things Leads to Another,” “Red Skies,” “Saved By Zero” and “Stand or Fall,” The Fixx has always been very conscious of making sure it had something to say. “At first, there wasn’t a motif floating around. Then new songs started to emerge and we had a theme. The first song for Beautiful Friction that we wrote together was “What God,” followed by “Follow that Cab,” and we agreed we had the meat.” Says Curnin, “As a whole, we were very focused on what was happening in the world around us and the legacy that was being left for our children, for everyone’s children. This album confronts our frustrations with the current socio-economic crises affecting the world, but it’s also quite hopeful.” With Beautiful Friction, the band has created a backdrop of responsibility and the need to be accountable for actions. “It seems we’ve all ground to a bit of a halt with so much unrest, the Occupy movement, debt, war and more. We ultimately see the album as positive, eager for the dawn of a new era, the possibility to change the way we see the world and to view it with more optimism. That’s why we called it Beautiful Friction – the times we live in are tough, but there’s a beauty in that. There’s a hope.” The early to mid 80’s was marked by several Top Ten Billboard hits for The Fixx. Curnin recalls the band’s “MTV Days” with great fondness – how he felt he could have been singing “Ham and Eggs” instead of “One Thing Leads to Another” because the groove was so strong, how girls would throw underwear onstage while they played “Red Skies,” a song about the aftermath of a nuclear fall out and how “Saved by Zero,” a song about accepting emptiness, still resonates today. Curnin calls the way the band’s music has been internationally embraced the greatest gift. Referring to this as “the Mary Poppins Effect” where a ‘spoonful of sugar helps the medicine go down,’ Curnin feels the music’s accessibility allows for his lyrical expression on some heady topics. “The melodies that Jamie comes up with are incredible. He is always creating bits and pieces, then I come in and get a feeling for a word, or an emotion, and it starts to take shape. We get something we can play as a group. Then, it just takes off like it has wings. Rupert is almost like a mad scientist, wherein I can describe where I am going visually with my words and he paints the sound. Dan has amazing chord knowledge and is able to play around my voice in ways that makes it sound rife with emotion. And Adam just isn’t a convoluted drummer. He’s very careful and laid back, which is big part of our sound.” With Beautiful Friction, all eleven tracks connect across a theme. “Unlike my solo albums, which focus on my own peccadilloes, the songs written for The Fixx take on the problems of the world. If you look back at our work, there’s a universal application to it. In writing Beautiful Friction, we speak to people who have woken up to the fact that while there was a period of easy money and easy credit, it’s now come and bitten us on the backside. I think, as you get wiser, you begin to realize less is more, and how happiness itself is your real currency.” The album was produced by Nick Jackson at Spacehouse Studios in London, who worked closely with the band to draw from the root of their longevity: communication. “Nick spoke out candidly when he thought a song wasn’t quite there yet and allowed us all the time in the world for the creative process to work itself out,” explains Curnin. “And on top of understanding how creativity needs to be nurtured so a song can develop completely, he is technically very adept in a way where he let us keep our style intact without having to sound like we were chasing the latest recording trends.” The songs recorded for Beautiful Friction are a high point in the band’s already heralded history. Echoing the frustration and pain of the “99%”, the first single “Anyone Else” is an anthem for our times, with a soaring melody that allows the song to feel melancholy and hope all at once. Optimism grows further with the wistful “Just Before Dawn,” the album’s second track which speaks of hope after the darkness. “What God,” a philosophical tour de force, features a passionate vocal wail of confusion, doubt and self-revelation by Cy, backed by the band's driving musical crescendo. The frenzied wired pace of “Follow that Cab” delivers a lyrical metaphor, with the cab as an allegory for a life out of control. The optimistic “Shaman” could be the long lost musical sibling to “One Thing Leads to Another" while the title track highlights a unique vocal coupled with a sensual groove and evocative keyboard. "Girl with No Ceiling" captures the present, wise and introspective band meditating on the fleeting reality of fame and fortune over a subtle beat. The Fixx, never a band to rest on its laurels, is still searching, still asking questions and still seeking truth. Curnin calls this current evolution of The Fixx “a fine wine that has aged well in the bottle. I love being in this band. It’s my therapy. You can take everything away from me, but no one can take away the relationship and creativity that flows between the five of us.”
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Fri, July 25

Ottmar Liebert and Luna Negra

Genre: New Age/World
Doors: 6:00PM
Show: 7:00PM

Ottmar Liebert's incredible global success on a musical level often seems like a simple outgrowth of his cultural background and powerful wanderlust in his formative years. Born in Cologne, Germany to Chinese-German father and Hungarian mother, he began playing guitar at 11, and traveled extensively through Europe and Asia intent on fully absorbing each musical tradition he encountered. After pursuing his Rock and Roll dreams first in his native Germany and then in Boston, he abandoned the frustrations of the East coast and settled in Santa Fe, New Mexico. In 1989, he founded the first incarnation of his new band Luna Negra. Nouveau Flamenco began life as a self-produced local release called Marita: Shadows and Storms, copies of which local Indian artist Frank Howell distributed in his art galleries. When the record found its way to radio stations and began generating a buzz among programmers and an unprecedented response among listeners, Higher Octave Music picked it up and released a fully remastered version. Liebert has since become one of the most successful instrumental artists of the past decade, thrilling audiences throughout the world and releasing a catalog of classic recordings, including the remix collection Euphoria (1995), the live album Viva! (1995), the double CD Opium (1996) and the classical-oriented orchestral album Leaning into the Night (1997). He wrapped up his decade with Epic with 2001's Little Wing and went back to Higher Octave Music, releasing a lush album of lullabies called In the Arms of Love in 2002 and an album with Luna Negra XL called The Santa Fe Sessions (2003). La Semana (2004) was the first all-new band album in five years, followed by Winter Rose (2005), which featured original pieces, classical music and christmas songs. In 2006 Liebert's record label SSRI released One Guitar, his first solo guitar recording, which received Liebert's fourth nomination for a Grammy. His newest releases are Up Close (2008), which is a binaural dummy head surround sound recording, and The Scent of Light (2008) a labor of five years.

*approximate running time for this show is 75-90 minutes
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Fri, July 25

Ottmar Liebert and Luna Negra

Genre: New Age/World
Doors: 9:00PM
Show: 10:00PM

Ottmar Liebert's incredible global success on a musical level often seems like a simple outgrowth of his cultural background and powerful wanderlust in his formative years. Born in Cologne, Germany to Chinese-German father and Hungarian mother, he began playing guitar at 11, and traveled extensively through Europe and Asia intent on fully absorbing each musical tradition he encountered. After pursuing his Rock and Roll dreams first in his native Germany and then in Boston, he abandoned the frustrations of the East coast and settled in Santa Fe, New Mexico. In 1989, he founded the first incarnation of his new band Luna Negra. Nouveau Flamenco began life as a self-produced local release called Marita: Shadows and Storms, copies of which local Indian artist Frank Howell distributed in his art galleries. When the record found its way to radio stations and began generating a buzz among programmers and an unprecedented response among listeners, Higher Octave Music picked it up and released a fully remastered version. Liebert has since become one of the most successful instrumental artists of the past decade, thrilling audiences throughout the world and releasing a catalog of classic recordings, including the remix collection Euphoria (1995), the live album Viva! (1995), the double CD Opium (1996) and the classical-oriented orchestral album Leaning into the Night (1997). He wrapped up his decade with Epic with 2001's Little Wing and went back to Higher Octave Music, releasing a lush album of lullabies called In the Arms of Love in 2002 and an album with Luna Negra XL called The Santa Fe Sessions (2003). La Semana (2004) was the first all-new band album in five years, followed by Winter Rose (2005), which featured original pieces, classical music and christmas songs. In 2006 Liebert's record label SSRI released One Guitar, his first solo guitar recording, which received Liebert's fourth nomination for a Grammy. His newest releases are Up Close (2008), which is a binaural dummy head surround sound recording, and The Scent of Light (2008) a labor of five years.

*approximate running time for this show is 75-90 minutes
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Sat, July 26

93.3 KTCL Presents The Polyphonic Spree with Sarah Jaffe & Magic Cyclops

Genre: Rock
Doors: 7:00PM
Show: 8:00PM

All Ages Show!

The Polyphonic Spree have released a new single, "What Would You Do?" The new song is the third new release from the Spree on their own Good Records Recordings label in as many months. As with all Good Records Recordings releases, "What Would You Do?" will be available digitally in both MP3 and FLAC lossless formats, as well as a regular black 7" vinyl release and a limited-edition colored 7" vinyl release that includes a signed and numbered silkscreened print/cover by GRR house artist Nevada Hill. The vinyl releases will include a surprise B-side from the Spree, not available elsewhere. All formats are available from http://www.goodrecordsrecordings.com/ The Polyphonic Spree will kick off their first tour since 2007 in Tulsa on Feb 6. An initial run through the Southeast continues through Feb 16; West Coast and East Coast dates are coming later in the spring. See below for a list of confirmed dates. GRR label mate New Fumes will support all dates. The Spree will return to their iconic white robes for the tour, with the addition of a red heart, tied to the tour's "You + Me" theme.
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Sun, July 27

Roger Clyne with Jim Dalton

Genre: Rock/Acoustic
Doors: 7:00PM
Show: 8:00PM

The Arizona-bred singer/songwriter Roger Clyne first made a name for himself while fronting the Refreshments during the post-grunge heyday of the '90s. "Banditos" was the quartet's biggest hit, an invitingly cheeky pop anthem that splashed the group's Southwestern-tinged music across mainstream and college radio during the summer of 1996. The Refreshments called it quits in 1998 after two albums on the Mercury label. Clyne retreated to his Southwestern abode in Arizona to reflect, found himself tinkering around with Americana and Latin influences, and began playing acoustic shows around his hometown Tempe. Soon, he and several veterans of the local scene grouped together for Roger Clyne & the Peacemakers. Embracing his reflective side, not to mention his country influences (which had made themselves known on the Refreshments' sophomore album, The Bottle & Fresh Horses), Clyne molded a new musical creation. Don't miss this special solo acoustic show!
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Fri, August 1

Keiko Matsui

Genre: Contemporary Jazz
Doors: 7:00PM
Show: 8:00PM

REMAINING GOLD LEVEL SEATS ARE PARTIALLY BLOCKED VIEW AND SOLD AT A DISCOUNT

Keiko Celebrates 25th Anniversary Of US Recording Career With Star-Studded CD featuring Narada Michael Walden, Chuck Loeb & Kirk Whalum Among Others. “Creating this album was like going on a soul quest, as I tried to figure out how to express the things I was thinking and experiencing during this past year,” confides pianist, composer and humanitarian Keiko Matsui (pronounced Kay-Koe, meaning ‘happy, celebratory child’ in Japanese). “This music energizes me and I am overwhelmed with emotion when I listen to it. I hope people will allow themselves to go inside the music and become a part of my journey,” says the stunning, profound pianist and world citizen who is celebrating a triumphant 25 years of recording in the US. In the words of Duke Ellington, Keiko Matsui is ‘beyond category.’ The courageous, spiritually-driven and consummate artist who enjoyed the distinction of being an invited guest and performer at the second International Jazz Day, sponsored by UNESCO and held in Istanbul in April 2013, transcends boundary. Her unique melting pot of musical influences have garnered her a devout international following. The eloquent and soft-spoken but yet deliberate musician tours relentlessly and seeks to make a genuine connection with her audience. “Everybody has so many things going on in their lives but my concerts are special for me. The music creates a oneness. The exchange I share with my audience is the root of my energy. It’s like my mission.” Matsui has worked alongside the best including Miles Davis, Stevie Wonder, Hugh Masakela and Bob James. A true humanitarian, Keiko has lent her voice to raise awareness for such causes as The Daniel Pearl Foundation, The United Nations World Food Programme, Be The Match Marrow Registry and The National Donor Program and Marrow Foundation. She has also lent her efforts to the continued revitalization and healing of Japan in the wake of the recent Tsunami and Fukushima disasters. “I still have these images of kindergarten teachers holding their kids in order to protect them. I also think about all of the older people who did not make it and the children who lost parents,” reflects Keiko, the first Japanese musician to top the Billboard Contemporary Jazz Charts. “But when I think about the people who did survive, I think that they may be the strongest souls there are. Out of this pain, I have found the greatest strength from these individuals.” Keiko Matsui’s new recording Soul Quest, is a riveting new collection of songs that unfold like an epic journey. With an all-star cast that includes such heavyweights as producer and drummer Narada Michael Walden, guitarist Chuck Loeb, saxophonist Kirk Whalum and bassist Marcus Miller, among others, Keiko explores themes of love, loss, spirituality and environmental consciousness.
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Sat, August 2

Chuck Prophet - Performing "Temple Beautiful" With Strings

Genre: Rock
Doors: 7:00PM
Show: 8:00PM

Chuck Prophet / Temple Beautiful with Strings - BIO San Francisco is once again under siege by predatory tech nerds and drones, plutocrats and wiz kids. With no real culture. TECH DOES NOT EQUAL CULTURE. People have reacted in different ways to this onslaught. The Occupy Movement for one. And you may have heard of people laying down in front of google buses in protest. etc. But there’s also the path of art. . . So after two years of performing the Temple Beautiful across the U.S and the globe, in late 2013, me and my band delivered the LP start to finish in sequence with a string octet (scored and conducted by Brad Jones) in a one-night-only filled to capacity performance at the Great American Music Hall (Itself a former bordello and a deco SF institution). (The show and the rehearsals leading up to it were also filmed for an upcoming movie) The songs performed that night include characters like Willie Mays, martyred supervisor Harvey Milk, Cain & Abel porn kings Jim & Artie Mitchell, mythic oddball "Red Man," preacher/Svengali Jim Jones, politician-turned assassin Dan White, and Emperor Norton, with cameos by Laffing Sal, Carol Doda, Bill Graham, and Fatty Arbuckle. Locations also play a key role, including the Castro and Mission Districts. One song is devoted to the White Night Riots, sparked by the light sentence received by the assassination of Milk and Mayor Moscone. Now we’re taking it on the road.
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Thu, August 7

107X Denver's Rock Alternative Presents Ed Kowalczyk - I Alone Acoustic

Genre: Rock
Doors: 7:00PM
Show: 8:00PM

ED KOWALCZYK, founding member, songwriter and former Lead-Singer of LIVE, opened a new chapter in his already illustrious career in 2009 with the launch of his solo career. With over 20 Million Albums sold worldwide, KOWALCZYK has built an impressive résumé in LIVE that includes eight full-length albums that have reached gold and platinum status in 9 countries, and nine Top 10 hit songs, which include the crossover smash "Grace" from his debut solo album, and classics such as "Lightning Crashes", "I Alone", "Selling The Drama", "The Dolphin's Cry" and "Heaven". Ed’s trademark vocals, electrifying stage presence and sweeping diversity as a performer shines through in his powerful full-band performances and in the new self-produced acoustic production – “I Alone” Acoustic, which debuted in 2012 and has been selling out venues around the globe. One of the main elements that have enabled Ed to maintain a devoted fan base is the substantial and durable nature of his lyrics, which have often reflected Ed’s personal and spiritual concerns. “My approach as a songwriter is to write songs that are not finite and will resonate with listeners for a really long time,” KOWALCZYK asserts. “Twenty years after my first Live album, Mental Jewelry, I am still able to get something out of songs I wrote and recorded in the early 1990s--and I think that one of the reasons why I’ve had so many fans for so long is that the fans are also continuing to find nuances in the songs.” KOWALCZYK released his widely acclaimed debut solo album, Alive, in 2010 which spawned the hit singles “Grace” and “Stand” and set the stage for sold-out tours throughout the U.S., Europe, Australia and South America. In 2012, Ed offered up a shorter set of new music on the follow up EP entitled, The Garden, a collection of 5 new songs plus 5 remixes. Ed is setting up his highly anticipated follow-up album, entitled, The Depths of Heaven, slated for release in September 2013, which features guest performances by Peter Buck of REM and Rachael Yamagata. Ed is very excited to be sharing this new look at some of the biggest hits of his career along with his new music in his dynamic full-band and acoustic performances.
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Fri, August 8

Birds of Chicago with John Kimler

Genre: Americana/Folk
Doors: 7:00PM
Show: 8:00PM

Birds of Chicago is a collective based around JT Nero and Allison Russell. Whether touring as duo or with the full family band, Nero and Russell have emerged as two of the most compelling new voices in North American Roots music. For several years Russell and Nero’s respective bands, Po' Girl (Vancouver, BC) and JT and the Clouds (Chicago, IL), have collaborated extensively, but in 2011’s Mountains/Forests, released under the JT Nero banner, they tapped into the true, bewitching power of their voices together on an entire record. It also featured the full cast of characters that would round out the Birds of Chicago ensemble -- the Clouds and Michelle McGrath, the luminous singer and picker from the hidden hills of Southeast Ohio. The record received critical raves and won them new fans on both sides of the Atlantic, and created a great deal of excitement for the first official Birds of Chicago album, self-titled release in November 2012. Nero’s fractured country-soul voice wrapped in Russell’s silver and gold tones is a fine thing. Not too perfect, not at all saccharine, you’ll hear echoes of mountain gospel, street corner doo-wop, classic soul. Accompanied by just a banjo and a guitar, it’s chilling. Fired by a full band, it’s a full tilt revival. Nero and Russell are most at home on the road - pick almost any night in the next two years and you can bet they will be in some festival, theater, pub, VFW hall, roller rink (they wish) or living room dovetailing their voices, singing their songs of hope, despair, love.... and electric seahorses.And honey bee apocalypses. And ice cream. It's familiar and strange stuff - the everyday and the magical. Come see 'em, they won't be hard to find.
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Fri, August 15

Steve Forbert

Genre: Singer/Songwriter
Doors: 7:00PM
Show: 8:00PM

Thirty-five years after Steve Forbert's first release, Alive on Arrival, the muse of a true romantic continues to burn. Over With You, his 14th studio album, points out the lyrical brilliance of Forbert, an expert in capturing the essence of human interaction since bursting onto the global music scene in 1978. Forbert says, "The album's very personal, mainly about the friction in relationships...as in mine." His debut album, Alive On Arrival, now considered a classic, was recently featured in the book Please Allow Me To Introduce Myself. Originally from Meridian, Miss., he traveled to New York in 1976 and played for spare change in Grand Central Station while seeking work in the local folk venues. The crowds at CBGB's accepted his performances as much as the audiences in traditional clubs and theaters. He vaulted to international prominence with his second album, Jackrabbit Slim, which went gold behind the hit single, "Romeo's Tune," and his tribute to Jimmie Rodgers, Any Old Time, was nominated for a Grammy Award in 2004. "I didn't invent folk-rock or country rock, I was keeping a particular American traditional alive," Forbert says. Forbert's lengthy discography has established him as an American treasure.
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Wed, August 20

Dave Alvin and Phil Alvin with The Guilty Ones

Genre: Folk/Blues/Rock
Doors: 7:00PM
Show: 8:00PM

"We argue sometimes, but we never argue about Big Bill Broonzy," says Dave Alvin when explaining why he and brother Phil, who haven't made an album together in almost 30 years, were inspired to record 'Common Ground'. The Alvin brothers, who founded seminal early LA punk roots band The Blasters in 1979, have shared a fascination with Broonzy since childhood. After an illness nearly took Phil's life in 2012, they resolved to return to the studio and pay tribute to the blues legend. 'Common Ground' includes 12 songs that capture a 30-year cross section of Broonzy's canon, performed by the Alvins' in their signature style of rollicking roots and stomping country blues. Though this is their first album together in decades, the Alvin brothers collaborated last year on 'Ghost Brothers of Darkland County,' the critically acclaimed "southern gothic supernatural musical" by Stephen King, John Mellencamp and T Bone Burnett. They also sang a duet on "What's Up With Your Brother" for Dave's last Yep Roc release 'Eleven/Eleven.'
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Fri, August 22

All Ages Show! Terry Bozzio Drum legend Terry Bozzio presents a solo musical performance on the world´s largest tuned drum and percussion set

Genre: Rock
Doors: 7:00PM
Show: 8:00PM

Terry Bozzio celebrates the 50th anniversary of his first drum lesson with "An Evening With Terry Bozzio" coast-to-coast North American tour.  During the course of this tour, Terry Bozzio will hit over 40 cities from San Diego to Jacksonville to Montreal to Vancouver to Los Angeles and everywhere in between.  This will be a night of solo drumming and include compositions from throughout his career, as well as improvisation.  It is by no means a clinic or a workshop.  Enjoy an intimate evening of Terry Bozzio and his monster sculpture of a drum kit together for the first time in seated venues across North America.An Evening of Solo Drum Music" is a unique, intense, dynamic, spiritualistic, melodic, orchestral, atmospheric, and musical performance on the largest tuned drum & percussion set in the world.  Unless you have seen Terry, you have no idea what you are in for.  Bozzio is an enigmatic, evocative, and engaging musician whose instrument just happens to be the drums.  Terry Bozzio is able to accompany himself with bass note patterns and, at the same time, melodically solo on top with highly developed coordination skills to express a complete musical statement on the drum set alone.  Drawing from jazz, classical, & ethnic percussion styles from around the world, Terry Bozzio is "a storyteller," able to weave a hypnotic spell over audiences and enthrall them with an eclectic experience filled with contrast, variety, intimacy, excitement, & passion.
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Sat, August 23

All Ages Show! Terry Bozzio Drum legend Terry Bozzio presents a solo musical performance on the world´s largest tuned drum and percussion set

Genre: Rock
Doors: 7:00PM
Show: 8:00PM

Terry Bozzio celebrates the 50th anniversary of his first drum lesson with "An Evening With Terry Bozzio" coast-to-coast North American tour.  During the course of this tour, Terry Bozzio will hit over 40 cities from San Diego to Jacksonville to Montreal to Vancouver to Los Angeles and everywhere in between.  This will be a night of solo drumming and include compositions from throughout his career, as well as improvisation.  It is by no means a clinic or a workshop.  Enjoy an intimate evening of Terry Bozzio and his monster sculpture of a drum kit together for the first time in seated venues across North America.An Evening of Solo Drum Music" is a unique, intense, dynamic, spiritualistic, melodic, orchestral, atmospheric, and musical performance on the largest tuned drum & percussion set in the world.  Unless you have seen Terry, you have no idea what you are in for.  Bozzio is an enigmatic, evocative, and engaging musician whose instrument just happens to be the drums.  Terry Bozzio is able to accompany himself with bass note patterns and, at the same time, melodically solo on top with highly developed coordination skills to express a complete musical statement on the drum set alone.  Drawing from jazz, classical, & ethnic percussion styles from around the world, Terry Bozzio is "a storyteller," able to weave a hypnotic spell over audiences and enthrall them with an eclectic experience filled with contrast, variety, intimacy, excitement, & passion.
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Fri, August 29

Peter Bradley Adams with Emily Earle

Genre:
Doors: 7:00PM
Show: 8:00PM

Peter Bradley Adams was formerly one half of the duo, eastmountainsouth, signed by Robbie Robertson (of The Band) to DreamWorks Records in 2002. Adams co-produced their debut album with Mitchell Froom and toured extensively for the next year and a half with the likes of Lucinda Williams, Tracy Chapman, Joan Baez and Nelly Furtado. Their single, "You Dance" was a #1 AAA radio hit (top 5 for 2 months) in 2003, which led to a performance on Late Night with Conan O'Brien on September 24, 2003. Their last show was later that same month at the Hollywood Bowl with Shelby Lynne and Lyle Lovett. It was not long after that when Adams decided to venture on his own and become a solo artist. Peter's arrangement and interpretation of Stephen Foster's "Hard Times", the opening track on the eastmountainsouth CD, appeared in Cameron Crowe's film, "Elizabethtown" and also was included on the soundtrack album. Peter's songs and music from eastmountainsouth (as well as solo) has appeared in over 30 films and television shows in the US, including One Tree Hill, Smallville, The Mentalist and Alias. Years later, sales of eastmountainsouth's self-titled and only release rank in the top 20 in Amazon.com sales under the Alternative Folk category. Meanwhile, Adams has released three solo records and is set to release his fourth ,"Between Us", on June 14th of this year. Originally from Alabama, he has also lived in Los Angeles and Nashville, though he calls Brooklyn home these days. "Adams is fast developing as a songwriter who both inspires and questions" - Nic Harcourt / Los Angeles Times Magazine - Jan 2010
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Sat, August 30

Tickets on sale 7/9 at 10AM! Ramblin' Jack Elliott

Genre: Folk
Doors: 7:00PM
Show: 8:00PM

One of the last true links to the great folk traditions of this country, with over 40 albums under his belt, Ramblin' Jack Elliott is considered one of the country's legendary foundations of folk music. Long before every kid in America wanted to play guitar — before Elvis, Dylan, the Beatles or Led Zeppelin — Ramblin' Jack had picked it up and was passing it along. From Johnny Cash to Tom Waits, Beck to Bonnie Raitt, Ry Cooder to Bruce Springsteen, the Grateful Dead to The Rolling Stones, they all pay homage to Ramblin' Jack Elliott. In the tradition of roving troubadours Jack has carried the seeds and pollens of story and song for decades from one place to another, from one generation to the next. They are timeless songs that outlast whatever current musical fashion strikes today's fancy. His tone of voice is sharp, focused and piercing. All that and he plays the guitar effortlessly in a fluid flat-picking perfected style. He was a brilliant entertainer.... Most folk musicians waited for you to come to them. Jack went out and grabbed you..... Jack was King of the Folksingers. Bob Dylan, Chronicles: Volume One There are no degrees of separation between Jack and the real thing. He is the guy who ran away from his Brooklyn home at fourteen to join the rodeo and learned his guitar from a cowboy. In 1950, he met Woody Guthrie, moved in with the Guthrie family and traveled with Woody to California and Florida, from the redwood forests to the Gulf Stream waters. Jack became so enthralled with the life and composer of This Land Is Your Land, The Dust Bowl Ballads, and a wealth of children's songs that he completely absorbed the inflections and mannerisms, leading Guthrie to remark, "Jack sounds more like me than I do." In 1954, along with folksinging pals Frank Robinson and Guy Carawan, Jack journeyed south through Appalachia, Nashville and to New Orleans to hear authentic American country music. He later made this the basis for his talking song, 912 Greens. In 1955 Jack married and traveled to Europe, bringing his genuine American folk, cowboy and blues repertoire and his guitar virtuosity, inspiring a new generation of budding British rockers, from Mick Jagger to Eric Clapton. When he returned to America in 1961, he met another young folksinger, Bob Dylan at Woody Guthrie's bedside, and mentored Bob. Jack has continued as an inspiration for every roots-inspired performer since. Along the way he learned the blues first-hand from Leadbelly, Mississippi John Hurt, the Reverend Gary Davis, Big Bill Broonzy, Brownie Mcghee and Sonny Terry, Jesse Fuller and Champion Jack Dupree. He has recorded forty albums; wrote one of the first trucking songs, Cup of Coffee, recorded by Johnny Cash; championed the works of new singer-songwriters, from Bob Dylan and Kris Kristofferson to Tim Hardin; became a founding member of Bob Dylan's Rolling Thunder Revue; and continued the life of the traveling troubadour influencing Jerry Jeff Walker, Guy Clark, Tom Russell The Grateful Dead and countless others. In 1995, Ramblin' Jack received his first of four Grammy nominations and the Grammy Award for Best Traditional Folk Album, for South Coast (Red House Records). In 1998, President Bill Clinton awarded Jack the National Medal of the Arts, proclaiming, "In giving new life to our most valuable musical traditions, Ramblin' Jack has himself become an American treasure." In 2000, Jack's daughter, filmmaker, Aiyana Elliott produced and directed The Ballad of Ramblin' Jack, her take on Jack's life and their fragile relationship, winning a Special Jury Prize from the Sundance Film Festival. Through it all—though agents, managers, wives and recording companies have tried—Jack resisted being molded into a commercial commodity. He played his shows without a written set list or including any songs that did not ring with his gut feeling of what mattered to him. Ramblin' Jack's life of travels, performances and recordings is a testament to the America of lore, a giant land of struggle, hard luck and sometimes even of good fortune. Ramblin' Jack takes us to places that spur us on to the romance and passion of life in the tunes and voices of real people. At seventy-seven, Ramblin' Jack is still on the road, still seeking those people, places, songs and stories that are hand-crafted, wreaking of wood and canvas, cowhide and forged metal. You'll find him in the sleek lines of a long haul semi-truck, in the rigging of an old sailing ship, in the smell of a fine leather saddle.
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Sat, September 6

Wishbone Ash

Genre: Rock
Doors: 7:00PM
Show: 8:00PM

Wishbone Ash, one of the most influential guitar bands in the history of rock, returns to North America in September for the second leg of their Blue Horizon Tour. Due to popular demand, the group will feature their bestselling “Live Dates” album in its entirety, in addition to tracks from their new studio album, “Blue Horizon.” After logging more than 10,000 miles touring the South and West Coast this spring, the group will traverse the middle and northeastern portions of the country for the fall tour. Dates are scheduled in 15 states from Colorado to Connecticut with more dates are being added. Formed in 1969, Wishbone Ash has to its credit 24 original studio recordings, 10 live albums and four live DVDs along with a DVD rockumentary (“This is Wishbone Ash”). The band is led by founding member Andy Powell on guitar and vocals, trading licks with Finland’s guitar wizard Muddy Manninen. Bassist Bob Skeat, a 17-year veteran of the band and in-demand studio musician, sets the pace with Joe Crabtree, one of the best of Britain’s new breed of drummers whose performance credits include Pendragon and David Cross of King Crimson. Recorded on tour and released in 1973, “Live Dates” is Wishbone Ash's best-selling album, even outpacing the perennially popular “Argus” (1972), which attained gold status. “We played all these old town halls in Britain in the 1970s and used the Rolling Stones mobile recording truck,” says Andy Powell. “These Victorian venues have great acoustics for rock and roll, so the sound to tape was overall really good; and the audiences were extremely lively, adding to the atmosphere. We had the luxury of choosing between many takes of different songs in many different locations.” Earlier this year, Wishbone Ash released “Blue Horizon” (Solid Rockhouse Records) to international acclaim. Praised for its stylistic variety and masterful performances, the album features guest artist Pat McManus (Mama's Boys) on fiddle for two tracks. “Blue Horizon” also includes two songs written by Aynsley Powell (Andy Powell's son) and one by former Wishbone Ash guitarist Roger Filgate.
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Tue, September 9

Tickets on sale 7/7 at 10AM! Midge Ure

Genre: Rock/Acoustic
Doors: 7:00PM
Show: 8:00PM

An artist who has received Ivor Novello, Grammy, BASCAP awards along with a flotilla of gold and platinum records, really needs very little introduction. Musical success is seldom measured in time spans of more than a few years, if not Andy Warhol's often quoted "fifteen minutes", so the fact that by the time Midge's single "If I Was" went to No1 in 1985 he had already crammed several musical lifetimes into a 10 year professional career speaks volumes - Slik, The Rich Kids, Thin Lizzy, Visage, Ultravox and of course the most famous one off group in musical history Band Aid had by then all had the guiding hand of his musical navigation. Then you have to take account of Midge's musical directorship of a series of rock concerts for The Prince's Trust, Wicked Women for Breakthrough and in honour of Nelson Mandela; a Lord Provost award for services to Scottish music; record production for Phil Lynott, Steve Harley and countless others; his video direction of memorable hits by the Fun Boy Three, Bananarama and others, or a whole swathe of landmark singles by Ultravox; TV, theatre and film music credits ranging from 'Max Headroom' to stage and big screen.
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Fri, September 12

An Evening With Kim Waters

Genre: Jazz
Doors: 6:00PM
Show: 7:00PM

In truth, one look at the titles of his hit albums from only the past decade proves that KIM WATERS knows quite a lot about romance and love with such stellar achievements as Love’s Melody, One Special Moment, From The Heart, Someone to Love You, In the Name of Love, All For Love, You Are My Lady and Love Stories, his classic 2010 collection. Inspired by such jazz icons as Duke Ellington, Charlie Parker, Coleman Hawkins, Herbie Hancock, George Benson, Paul Desmond and Cannonball Adderley, Kim was born into a musical family. The Maryland native picked up his first instrument, the violin, at the age of eight. "That didn't go over well with the fellas," says Waters, who later found his true calling on the alto and soprano saxophones at age 13. Shortly afterwards he began playing in a band with his brothers, James (who he still performs with) and Eric, and his old friend, jazz piano legend Cyrus Chestnut. Over the years, KIM WATERS has shared stages with many of the best including Ray Charles, Al Green, Isaac Hayes, Phyllis Hyman, Gerald Albright and Grover Washington, Jr. to name a very few. Waters recently relocated to Elk Grove, California from his longtime Baltimore area home. MY LOVES is sure to further captivate all KIM WATERS fans and earn him innumerable new ones as well again affirming that he has rightfully been acclaimed The #1 Urban Jazz Saxophonist and is here to stay! In this regard, Kim once stated, “I enjoy helping others and it is my hope that my music in some way brings positivity to the world. I believe that the world cannot live without new music - I know I can’t!”
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Fri, September 12

An Evening With Kim Waters

Genre: Jazz
Doors: 9:00PM
Show: 10:00PM

In truth, one look at the titles of his hit albums from only the past decade proves that KIM WATERS knows quite a lot about romance and love with such stellar achievements as Love’s Melody, One Special Moment, From The Heart, Someone to Love You, In the Name of Love, All For Love, You Are My Lady and Love Stories, his classic 2010 collection. Inspired by such jazz icons as Duke Ellington, Charlie Parker, Coleman Hawkins, Herbie Hancock, George Benson, Paul Desmond and Cannonball Adderley, Kim was born into a musical family. The Maryland native picked up his first instrument, the violin, at the age of eight. "That didn't go over well with the fellas," says Waters, who later found his true calling on the alto and soprano saxophones at age 13. Shortly afterwards he began playing in a band with his brothers, James (who he still performs with) and Eric, and his old friend, jazz piano legend Cyrus Chestnut. Over the years, KIM WATERS has shared stages with many of the best including Ray Charles, Al Green, Isaac Hayes, Phyllis Hyman, Gerald Albright and Grover Washington, Jr. to name a very few. Waters recently relocated to Elk Grove, California from his longtime Baltimore area home. MY LOVES is sure to further captivate all KIM WATERS fans and earn him innumerable new ones as well again affirming that he has rightfully been acclaimed The #1 Urban Jazz Saxophonist and is here to stay! In this regard, Kim once stated, “I enjoy helping others and it is my hope that my music in some way brings positivity to the world. I believe that the world cannot live without new music - I know I can’t!”
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Sat, September 13

Mandolin Orange

Genre: Americana/Folk
Doors: 7:00PM
Show: 8:00PM

On Mandolin Orange’s third release, This Side Of Jordan, there’s a Lightnin’ Hopkins lyric, “If fate’s an old woodpecker then I’m an old chunk of wood.” “I love the imagery that creates,” Andrew Marlin, the duo’s lyricist says, “You just picture death as this woodpecker that lands on your shoulder and starts chipping away at you until there’s finally nothing left.” In 2011 around the release of Mandolin Orange’s acclaimed Haste Make/ Hard Hearted Stranger, Marlin had a near fatal accident. “It was scary,” Emily Frantz, the other half of the North Carolinian duo says, “But ultimately it brought us together during a time when we needed a nudge in that direction.” This Side Of Jordan is the story of that healing process, with tales of love and loss, told honest and bare. The opener, “House of Stone,” quietly fades in with the hush of Frantz’s fiddle then Marlin’s guitar joins her, blooming. This moment of beauty is a gentle easing into the record that’s drenched deep in the traditional music of Southern Appalachia. Since meeting at a local jam in Chapel Hill in 2009, Marlin and Franz have intertwined gospel, folk, and bluegrass but never so seamlessly as now. Recorded at the Fideltorium in Kernersville, North Carolina with bassist Jeff Crawford and a backing band, This Side Of Jordan still maintains Mandolin Orange’s modest aesthetic with pure and calming sounds. It’s a fitting juxtaposition to Marlin’s undeniable lyricism. Religious faith and fable thread throughout the record with Biblical references used to “convey a different point,” Frantz says. “In the south especially, we hear the Bible construed in any and every way to justify people’s comforts and discomforts,” Marlin further explains, “and it’s so frustrating to watch those stories be used to limit people’s happiness.” This sentiment inspired “Hey Adam,” where Marlin and Frantz urge in unison during the chorus, “Our Father loves you all ways.” But this is not strictly a lyrical record. The duo’s understanding of classic country, rock, and blues naturally appears. “Waltz About Whisky” swings like a honky tonk thanks to Nathan Golub’s bending pedal steel as Marlin and Frantz plead, “Won’t someone dance with me to a waltz about whisky and turn my sad songs to lullabies?” When Marlin’s busy guitar weaves “Black Widow,” Josh Oliver’s sparse piano chords frame the track until its eerie conclusion. And “Morphine Girl” lazily trudges to James Wallace’s drum while Ryan Gustafson conjures on electric guitar. The closer, “Until The Last Light Fades,” was written before Marlin met Frantz. With just Marlin’s mandolin and Frantz’s guitar, it’s the most fragile track on the record. Although it’s always been one of the duo’s favorites to play, it didn’t feel right on either of their previous releases. “It was so rewarding to have held out and have it come full circle,” Frantz explains in choosing the track to end the record. And as Frantz sings, “Born to die, born to die, darling you’ll live no longer than your years,” it comes across like an old adage, something faintly familiar. Marlin and Frantz have rambled through the dark and came out together on This Side Of Jordan more confident than ever. They’ve made simply structured songs with easy chords and humble harmonies. These are the hymns that Mandolin Orange was meant to offer.
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Tue, September 16

Rocco Deluca

Genre: Rock
Doors: 7:00PM
Show: 8:00PM

Music has been a part of DeLuca's makeup from the start. "My dad was a touring guitar player for some amazing blues artists. I remember he and my uncles would have these late night jam sessions and I would hang out with them and then end up crawling into Uncle Joe's bass drum and falling asleep to the drone," smiles DeLuca. As he got older, he discovered the DOBRO® steel guitar and it wasn't long before primitive folk music from both the south and the Appalachian Mountains made their way into his world. "Most of my friends were into punk and my family's roots where in blues, so the two extremes were really all I listened to," he explains. After playing out at parties and penning songs, Deluca spent the next decade honing his musical craft. He became the local opener for Taj Mahal, John Mayall and John Lee Hooker, played with Johnny Cash and after a series of eye-opening experiences in Europe; he returned to the States and landed a 2-year residency at the Gypsy Lounge just outside of Los Angeles. After years of performing and touring, the time came for DeLuca to take his experiences and lay them down in the form of a demo, but not without a certain amount of hesitation. "I always thought of the 'music industry' as this drunk girl at a party who forgot who she came with. I loved making music, but being a cog wasn't for me. At the same time no one was putting out the kind of music I wanted to hear, so I cut my demo and tried to keep it as honest as possible." In 2004, that demo was passed on to Jude Cole and Kiefer Sutherland's Ironworks label and it was clear to both of them that what they were seeing was something amazing. "We thought of him as a real diamond-in-the-rough," says Cole, "and that's exactly what we were looking for."
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Sat, September 20

Bobby Caldwell

Genre: R&B/Jazz
Doors: 6:00PM
Show: 7:00PM

Bobby Caldwell's live performances are always electrifying! Drawing from his vast repertoire of rousing R&B, intimate smooth jazz stylings, and big band songs, Bobby entertains at any venue for fans of all ages. His timeless classic,What You Won't Do For Love has been recorded and sampled by more than 100 artists, including a rendition by Boys II Men on their recent comeback album.

*approximate running time for this show is 75-90 minutes.
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Sat, September 20

Bobby Caldwell

Genre: R&B/Jazz
Doors: 9:00PM
Show: 10:00PM

Bobby Caldwell's live performances are always electrifying! Drawing from his vast repertoire of rousing R&B, intimate smooth jazz stylings, and big band songs, Bobby entertains at any venue for fans of all ages. His timeless classic,What You Won't Do For Love has been recorded and sampled by more than 100 artists, including a rendition by Boys II Men on their recent comeback album.

*approximate running time for this show is 75-90 minutes.
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Fri, September 26

Norman Brown

Genre: Jazz
Doors: 6:00PM
Show: 7:00PM

GRAMMY® Award winner Norman Brown is on close intimate terms with his audience. For almost two decades, it has been an engaging, mutually rewarding relationship, with the multitalented guitarist, composer and singer offering tasty sonic tidbits of classic R&B and contemporary jazz and his fans melting into satisfied aural bliss with every succulent, jazz inflected note. It‟s a veritable “love fest” – and Brown keeps the good vibes going on his long- awaited new release, Sending My Love, arriving this June on Peak Records. “I‟m a loving guy -- I hear that a lot. I started reading my emails and the fans were sending me so much love that I wanted to send them love back,” explains the artist, who wrote nine of the ten tunes on this offering. “The CD is about pure love, love in all its many aspects: a personal relationship and a general love for the planet and for people. We should be kind to each other,” he adds.

*Approximate running time for this show is 75-90 minutes*
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Fri, September 26

Norman Brown

Genre: Jazz
Doors: 9:00PM
Show: 10:00PM

GRAMMY® Award winner Norman Brown is on close intimate terms with his audience. For almost two decades, it has been an engaging, mutually rewarding relationship, with the multitalented guitarist, composer and singer offering tasty sonic tidbits of classic R&B and contemporary jazz and his fans melting into satisfied aural bliss with every succulent, jazz inflected note. It‟s a veritable “love fest” – and Brown keeps the good vibes going on his long- awaited new release, Sending My Love, arriving this June on Peak Records. “I‟m a loving guy -- I hear that a lot. I started reading my emails and the fans were sending me so much love that I wanted to send them love back,” explains the artist, who wrote nine of the ten tunes on this offering. “The CD is about pure love, love in all its many aspects: a personal relationship and a general love for the planet and for people. We should be kind to each other,” he adds.

*Approximate running time for this show is 75-90 minutes*
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Sat, October 4

The Sax Pack Featuring Jeff Kashiwa, Steve Cole and Jackiem Joyner

Genre:
Doors: 6:00PM
Show: 7:00PM

THE SAX PACK is a class act consisting of three signature sax players; Jeff Kashiwa, Steve Cole and Jackiem Joyner. Backed by a tight rhythm section, the talented trio combine their life-long love of music and their passion for performance, to make an impact on audiences that love music as much as they do. Committed to sharing the excitement, spontaneity and creative energy that flows between them on stage, THE SAX PACK inspires an audience far beyond the duration of a show.

*estimated run time for this show is 75-90 minutes.
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Fri, October 10

Face - All Vocal Rock Band

Genre: Acapella/Rock
Doors: 7:00PM
Show: 8:00PM

Face is an all-vocal rock band from Boulder, Colorado that has been thrilling audiences for over a decade. Using only five voices and a beat boxer, Face creates a high-octane rock music phenomenon that must been seen to be believed. The band competed on the hit NBC series “The Sing-Off,” as well as “America’s Got Talent,” and were named “Best Local Band” in 2014 by Boulder Weekly, and in 2013 by Denver A-List Awards. Having recently released their fifth album, Face regularly performs for sold-out audiences around Colorado in classic venues such as Paramount Theatre, Boulder Theater, and Soiled Dove Underground. Nationally, Face has touched crowds from San Francisco to Chicago, Dallas to Minneapolis, as well as headlining at Detroit's famous Fox Theatre and Planet Hollywood in Las Vegas. Critics and fans nation-wide describe Face as “nothing short of spectacular,” “a six-voice bomb blast,” and “among the top ten singing groups in the country.” With their incredible vocal harmonies, heart pounding vocal drums and more than a touch of humorous stage presence, Face has proven themselves to be a world class act for audiences of all ages.
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Sun, October 12

Glenn Tilbrook (of Squeeze)

Genre:
Doors: 7:00PM
Show: 8:00PM

Mention Glenn Tilbrook and most people may immediately think of Squeeze. After all, with his writing partner Chris Difford, Tilbrook was responsible for Top Ten hits all around the world such as "Tempted", "Hourglass", "Cool For Cats" and "Up The Junction". Ever since their first EP in 1977, Squeeze has delighted audiences with their brand of honky-tonk new wave and pithy lyricism, while their stock in the music world has seen the likes of Jools Holland, Paul Carrack and Elvis Costello all contribute to their work. However, since an acrimonious split in 1998 Squeeze has been on the backburner. Although you might forgive him for resting on his laurels after 13 albums and countless tours all over the world, Tilbrook has continued to write and perform with the same enthusiasm that he brought to Squeeze's earliest recordings. With his two solo albums, "The Incomplete Glenn Tilbrook" and "Transatlantic Ping-Pong", he proved he's lost none of the joie-de-vivre that became Squeeze's trademark. For 2009's album "Pandemonium Ensues", he injected some fresh faces by recruiting a new band, The Fluffers, and some prestigious guests in the shape of Johnny Depp and Vanessa Paradis. This has been complemented by a conversational live show that is delightfully shambling in its approach – Tilbrook loves blurring the boundary between crowd and performer by performing requests and even taking his audience for walkabouts to set up impromptu gigs!
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Mon, October 13

Griffin House with Special Guest

Genre: Singer/Songwriter
Doors: 7:00PM
Show: 8:00PM

Although Springfield, OH native Griffin House didn't begin playing guitar and writing songs until he was 18, the power of his music struck an emotional connection with audiences immediately. The athletic gifted House shocked his family by turning down a golf scholarship to focus on a new path making music. "Sports were really a big part of me and how I grew up," he says. "So deciding not to take that scholarship was a turning point for me in choosing a new path for myself, a new life making music." There were some issues to deal with first, however – he couldn't play the guitar he'd bought from and friend, nor had he ever written a song. "I took a couple of guitar lessons and got so frustrated that one day I kicked the strings off my guitar," he recalls with a laugh. "It sat there for about a year, but I took it to school (at Miami of Ohio) with me and made up my mind I was gonna learn how to play. One night I picked up my guitar and wandered around campus till I could barely keep my eyes open, trying to play this one chord over and over. Finally, around 4 a.m., my hand got used to it and I formed my first G chord." Not long afterward, he wrote his first song for the high school sweetheart with whom he'd parted ways after graduation. When she came for a visit, House played it for her, and it brought her to tears. "Then I was hooked," he says, "I thought, 'Oh, man, if I can make people cry, I'm gonna keep doing this. I'm gonna make as many people cry as I can!'" After laughing at the memory, he puts the experience in perspective: "What I was drawn to was the power of the song, how it could affect people emotionally." The epiphany caused the neophyte's creative juices to bubble over, and he got really good really fast. After graduating, he joined some of his buddies who'd moved to Nashville, and started doing solo gigs at the bottoms of bills in local clubs. Within months, he was headlining, surprising himself at his rapid development. "I was working in a gift shop downtown for $6.50 an hour," he remembers, "and four months later I was flying to L.A. and New York for meetings with record labels." House signed with Nettwerk and banged out his first CD with his band in five days, before moving from Nashville to Cincinnati. He spent most of the subsequent three years on the road, while also finding time to record several "direct-to-fan" releases, a pair of EPs (House of David Vol. 1 & 2) and the 2006 digital release Homecoming. He didn't fully understand at first, but writing and recording these songs about his "own issues" was the best sort of help he could possibly offer others, friends and strangers alike. His intelligent and heart-felt lyrics and melodies in such songs as "The Guy Who Says Goodbye to You Is Out of His Mind" and "Better Than Love" have garnered commercial and critical acclaim alike. From being featured on the CBS Sunday Morning Show, to touring with the likes of John Mellencamp and the Cranberries, House continues to gain national recognition and currently is headlining his own tour across the U.S.
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Fri, October 17

An Evening With Ian Tyson

Genre: Country/Folk
Doors: 7:00PM
Show: 8:00PM

Internationally acclaimed singer-songwriter and multi award winner, Ian Tyson, is celebrating 5 decades of performance in 2011 with a full schedule of concerts planned from coast to coast in both Canada and the United States. Throughout 2008, Tyson shot a TV Music/Documentary Special for Canada's Bravo Chanel which aired in January 2010 and, along with additional live footage, a second TV special was also produced for the CBC Network. These shows are now available in a double DVD package titled "Ian Tyson, This Is My Sky". In December 2010, Ian's memoir for Random House of Canada - "The Long Trail" - became an instant Best Seller. From the superstar status of Ian & Sylvia in the 1960's to the legendary Tyson of today, Ian continues to keep his loyal fans in awe with songs that range from his classics - Four Strong Winds (named Canada's top song of the 20th century), Someday Soon, and Navajo Rug, to his newest works which he continues to write with inspired vigor. Now in his mid 70's, Tyson combines a busy touring performance schedule with the work on his Alberta ranch, nestled in the foothills of the Rockies south of Calgary. It's a workload that would exceed that of most people generations his junior.
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Fri, October 24

Euge Groove

Genre: Jazz
Doors: 6:00PM
Show: 7:00PM

Born in Hagerstown, Maryland, Euge Groove graduated from the University of Miami School of Music in 1984. A rather late-bloomer in the genre, Groove did not record his first solo album until 2000. Prior to that, he had replaced Richard Elliot in the Tower of Power when Elliot decided to pursue a solo career, and he also did session work with various pop acts, most noticeably the Miami girl group Expose. He has a sax solo on their #1 hit "Seasons Change," and another on their 1993 hit "I'll Never Get Over You (Getting Over Me)." Grove adopted the name Euge Groove, which consists of a shortening of his middle name and a very frequent mispronunciation of his last. While initially it was presumed to be coined by fans who saw him perform in Europe, Grove later indicated in an interview on XM Radio during the summer of 2006 that his Mother-in-Law conceived the idea for his stage name. Euge Groove's best-known solo hits include "Sneak a Peek," "Slam Dunk," "Rewind," "Don't let me be lonely tonight," "Livin' Large" and "XXL." His most recent hits include "Get 'Em Going" and "Chillaxin'." Solid albums include; Born 2 Groove (2006), Livin' Large (2004) and Play Date (2002). He has recently released another album, titled "Sunday Morning." In 2008 he went on Tour with the legendary Tina Turner.

*approximate running time for this show is 75-90 minutes.
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Fri, October 24

Euge Groove

Genre: Jazz
Doors: 10:00PM
Show: 11:00PM

Born in Hagerstown, Maryland, Euge Groove graduated from the University of Miami School of Music in 1984. A rather late-bloomer in the genre, Groove did not record his first solo album until 2000. Prior to that, he had replaced Richard Elliot in the Tower of Power when Elliot decided to pursue a solo career, and he also did session work with various pop acts, most noticeably the Miami girl group Expose. He has a sax solo on their #1 hit "Seasons Change," and another on their 1993 hit "I'll Never Get Over You (Getting Over Me)." Grove adopted the name Euge Groove, which consists of a shortening of his middle name and a very frequent mispronunciation of his last. While initially it was presumed to be coined by fans who saw him perform in Europe, Grove later indicated in an interview on XM Radio during the summer of 2006 that his Mother-in-Law conceived the idea for his stage name. Euge Groove's best-known solo hits include "Sneak a Peek," "Slam Dunk," "Rewind," "Don't let me be lonely tonight," "Livin' Large" and "XXL." His most recent hits include "Get 'Em Going" and "Chillaxin'." Solid albums include; Born 2 Groove (2006), Livin' Large (2004) and Play Date (2002). He has recently released another album, titled "Sunday Morning." In 2008 he went on Tour with the legendary Tina Turner.

*approximate running time for this show is 75-90 minutes.
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Fri, November 14

Mason Jennings

Genre: Folk/Acoustic
Doors: 7:00PM
Show: 8:00PM

ALL AGES SHOW!

Recorded at Minneapolis studio The Terrarium, ‘Always Been’ builds on the rugged, acoustic-guitar-driven indie-folk of Jennings’s earlier work (from his 1998 self-titled debut to 2011’s highly acclaimed Minnesota) with sunnier melodies and more hi-fi sonics. While Jennings credits the album’s joyful spirit in part to “letting go and getting help from all these great musicians”—including Greg Brown upright-bassist Gordon Johnson, string virtuoso David Mansfield, singer/songwriter Pieta Brown, and several members of The Pines—at the heart of Always Been’ is an undeniable sense of the wonder he rediscovered during his winter-long writing session. “Staying open to the feeling of awe, the feeling of being moved by things—that’s the most important part of songwriting for me,” says Jennings. “When I’m able to stay in a childlike state that’s more about the heart than the head, that’s when the songs really come in.”
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Sat, November 15

Mason Jennings

Genre: Folk/Acoustic
Doors: 7:00PM
Show: 8:00PM

ALL AGES SHOW!

Recorded at Minneapolis studio The Terrarium, ‘Always Been’ builds on the rugged, acoustic-guitar-driven indie-folk of Jennings’s earlier work (from his 1998 self-titled debut to 2011’s highly acclaimed Minnesota) with sunnier melodies and more hi-fi sonics. While Jennings credits the album’s joyful spirit in part to “letting go and getting help from all these great musicians”—including Greg Brown upright-bassist Gordon Johnson, string virtuoso David Mansfield, singer/songwriter Pieta Brown, and several members of The Pines—at the heart of Always Been’ is an undeniable sense of the wonder he rediscovered during his winter-long writing session. “Staying open to the feeling of awe, the feeling of being moved by things—that’s the most important part of songwriting for me,” says Jennings. “When I’m able to stay in a childlike state that’s more about the heart than the head, that’s when the songs really come in.”