Sat, January 18
Stanley Jordan
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REMAINING TICKETS ARE STANDING ROOM ONLY IN THE BACK OF THE VENUE, NO SEATS WILL PROVIDED FOR STANDING ROOM ONLY
Stanley Jordan has already made a name for himself as one of the most significant guitarists of the latter 20th century. After seeing him perform with his trio at the Montreal Jazz Festival, Los Angeles Times jazz critic Leonard Feather was prompted to write, "Genius is a word too often tossed around in musical circles, but it has been rightfully applied to Stanley Jordan." Stanley uses a technique called the "touch" or "tapping" technique to achieve a level of orchestral complexity equaling that of a keyboard instrument. He can sound like two or three guitarists at the same time with no overdubs or other studio techniques.
Stanley Jordan has already made a name for himself as one of the most significant guitarists of the latter 20th century. After seeing him perform with his trio at the Montreal Jazz Festival, Los Angeles Times jazz critic Leonard Feather was prompted to write, "Genius is a word too often tossed around in musical circles, but it has been rightfully applied to Stanley Jordan." Stanley uses a technique called the "touch" or "tapping" technique to achieve a level of orchestral complexity equaling that of a keyboard instrument. He can sound like two or three guitarists at the same time with no overdubs or other studio techniques.